New Blushes for Spring

Pretty New Blushes for Spring

These fresh-off-the-beauty-press colors will awaken winter cheeks and give you a lovely spring glow

This is a TotalBeauty.com face makeup article The easiest way to polish up your look and get an instant glow is by adding a dash of blush and, just in the nick of time, a wide array of hot new pinks, peaches, shimmery oranges, and deep plums are ready and waiting to do the job. Get colors

Don't Try This at Home: Orange Eyelids

The magazine editors have deemed the orange eyelids shown at Derek Lam's Spring 2010 show the cat's meow. I first saw them in WWD's Beauty Biz and thought, "How bizarre!" Then, they appeared at Lucky. Now, "tropical" eyelids are featured in the December issue of Allure, where you can find orange, bright lime green, and all kinds of bright colors billed as spring's tropical "it" trends from the runway.

Translating the runway to real life will be difficult. Tom Pecheux may be able to make a gorgeous model look exotic with orange eyelids (Visine nearby, I'm sure), but it's likely you will draw stares - and not the kind you'd prefer. I have found orange lids dubbed "completely wearable" by bloggers who published Estée Lauder's press release. I guess that makes me a contrarian.

Orange will be a big color again this spring, and Lam's orange belts were stunning. The models? There's no doubt that orange can make blue eyes look very blue. Adopt the trend, but use peach on your eyelids. Break down, if you didn't last spring, and buy an orange-toned lipstick, lip gloss, or blusher. There will be many new ones from which to choose. You won't scare your family, friends, colleagues, or pet if you keep the orange off your eyes - and you certainly won't risk commitment.

Would you wear bright orange eye shadow?

Photo courtesy of Estée Lauder by way of Lucky

Monique Lhuillier Spring 2011 - Euphoria

Euphoria. The inspiration behind Monique Lhuillier's Spring 2011 Collection.

Feminine evening gowns. It's what Monique Lhuillier does best.  What surprises me about this season's collection is the choice of color palette, a departure from what we've come to expect for her.  Nude, white, gold ... yes, very familiar ... poppy red? Really? Ok ... we're willing to take a look. Let it sink in a little bit.  Ummm .... sure, I suppose this could be interesting. In fact, the more I study the collection with its pops of soft seafoam-y teal contrasted with the warmth of the golden red, the more appealing it becomes. 

"Welcome to the Garden of Eden," greets Lhuillier, gesturing around the hotel suite. "We have the angelic side, and the naughty side."

Slender metallics, draped silk sheaths and flamboyant ballgowns — poufed and appliquéd chiffons with plenty of fanfare like bustled, petaled or trumpet skirts. Your choice, ladies.

Lead makeup artist Val Garland for MAC created glowing faces that complimented the elegant feel of the line. The eye was for facial focal point here, using black gel eyeliner for a “sleek Fifties” winged feel. “It’s a bit of a cat eye,” said Garland. “It's a 1950's Audrey Hepburn look with an aerodynamic beautiful eye liner.  Very haute couture and red carpet, slightly debutant with gilded lilacs on the eye lid, liner and a delicate soft pink glossed lip.”

Proving you don't have to match your makeup colors to your clothing, Garland used MAC eye shadows in Digit and Vellum layered onto the lids, Crystal through the crease of the lids and a layer of Idol (one of my fave MAC shadows) applied wet on the top.  Woodwinked was dabbed on the inner corners of the lids for golden highlighting. Eyebrows were slightly extended to frame the face. MAC Face and Body foundation was applied as a base with Bamboo Cream Colour Base blended onto the cheeks and Shell Cream Colour Base to highlight the cheekbones. Garland’s “soft look” for lips was achieved by patting on MAC Viva Glam Gaga Lipglass, a pigmented matte baby pink lip gloss.

Rudi Lewis, lead hairstylist for Bumble and Bumble described the look he created at Monique Lhuillier’s Spring 2011 show as “magical but modern.” Before beginning the updo, Lewis added Spray de Mode to blow-dried hair. He pulled hair up into a “sculpted high ponytail.” A section of hair on the top of the head was left out of the updo and given a softer texture. He then tucked hair up in a roll, using only one long piece of elastic to create the refined look. “This is reminiscent of an Irving Penn woman,” said Lewis. “It’s Fifties without being too retro.” Lewis added that models were styled to look “expensive” and polished. “It’s not about trends,” he said.

Nails, styled by Wanda Ruiz for CND, were gilded — a combination of two coats of Putty nail polish and a top coat of shimmering Perfectly Bare polish, for a “reflective three-dimensional, holographic effect.” Um, gorgeous is what I say!

Watch the video to really get the elegant feel of this collection, the look of beauty and backstage fun!

source: Monique Lhuillier, MAC, wwd, style.com

Erin Fetherston Spring 2011

When asked to name the inspiration for her Spring 2011 collection in one word, Erin Fetherston responded, "Aphrodisiac;" this photo (below) was submitted as an inpiring element ... just envision the travels this diva must have experienced.

"I like the idea of this woman who travels far and wide, and collects these treasures to add to her wardrobe," Erin Fetherston said before her Spring show.

With that inspiration, Fetherston opened Spring 2011 show with two safari jackets. "Birds of Paradise," the name of the collection, showcased one-shouldered cocktail dresses, peplum jackets and other pieces in florals and patterns. Somewhat neutral shades of ivory, a muted warm green and peachy orange enhanced the color palette. Nowhere in this collection will one find the berry, plum or jewel tones of Fall 2010 trending.

Fetherston's penchant for feminine charm shows through this season, the clothes almost demure, pretty silk wrap dresses in soft geometric prints and chic jackets with fronts draped to look like bows, flowy silhouettes. The pop of pumpkin orange lipstick courtesy of MAC enhances the simplicity of the designs in a marked way.

source: wwd, MAC, the cut, erin fetherston, youtube (aol)

Alexander Wang Spring 2011

Loving Alexander Wang's Spring 2011 collection, well - some of it! Feminine, breezy, light and airy, and the color palette ... fresh and clean, just beautiful. The "construction" theme went a little overboard for my amateurish taste.  The rose gold metallic splashes here and there on some of the designs just didn't do it for me, and the color blotches gone haywire seemed a bit - overdone (can I say that?) ... but hey, I'm a minimalist purist with conservative style in its simplest form, so forgive me.

“I wanted to explore a purity and honesty,” said Wang, preshow. “As you can see, there’s not one hint of black.”

loooooving the shoes!

So far this NYFW we're seeing designers are returning to the feeling of light-ness, and what a welcome relief. Wang certainly appreciates this idea in his new collection, though it gets skewed with a few of the "color gone paint-ball" designs and sloppiness of some of the exaggerated pieces for the sake of his construction motif.

One nuance for Wang that can't be missed in this collection? Construction!

The collection includes overalls and wide-leg carpenter pants, denim jackets accented with copper paint. His flyaway silk trench had utilitarian crisscross straps at the back. The foil details throughout? Apparently a reference to duct tape (see image at top). His models came accessorized with swipes of white paint in their hair to add to the overall "under construction" vibe. 

In the continuation of last year's deconstruction theme, he showed layering and ultra-relaxed silhouettes. As reported by WWD, Wang also introduced his first-ever in-house prints — childlike scribbles and doodles done by his staff and interns on a 5-foot-by-5-foot sheet of paper in the studio and reproduced on fabrics in washed-out hues. “There are inside jokes [written] that even I don’t know,” he said.

source/images: WWD, Style.com

Wha??? Abbey Lee Has Gone Platinum

The Hair Transitions of Abbey Lee: L-R Fall 2010 for Emilio Pucci; Fall 2010 for Chanel Couture; Spring 2011 for Rag & Bone

Ok, so we know they're all prone to doing it at some point ... the high fashion models ... and platinum blonde hair.  Agyness Deyn, Iekeline Stange and now little Abbey Lee Kershaw.  I say little not because of her stature or popularity, this girl rocks it! I say it because the dear is a mere 20 years old (yes, I know 33 or so in model years).  We've been following her here since she first broke out as a fresh-faced catwalk star Fall 2008.

Here's what fashionologie reports about Abbey's fun new look having spoken with the gorg one herself at Chanel's Soho store opening this past Thursday:

Abbey Lee Kershaw, who not long ago cut her hair short, has taken the change even further. "I was ready for a big change," she explained this evening at the Chanel Soho store opening in New York, where she debuted her newly-dyed platinum blonde hair. She plans to keep the color all season, "unless a designer asks for it to be changed." How's it been received so far? "I only dyed it two days ago, so no one's really seen it yet." She told Modelinia of the dye job: "It took seven hours and I didn’t speak for another four hours. I’ve never dyed my hair before. Also I think that with the cut that I’ve got, it was the time to go white.”

Lee is so beautiful she could shave her head bald and still garner beauty adoration!  On another note, Stay tuned, my loves, some Spring 2011 Mercedes Benz Fashion Week posts about to roll out!

source: fashionologie